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Tag - Gamemastering

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dimanche 3 janvier 2016

[Aide de jeu] Mener une scène de poursuite

De nombreux jeux de rôles tentent d'émuler des scènes tirées d'autres média narratifs comme par exemple les films de cinéma et surtout les films d'action. Passage quasiment obligé de ce type d'histoire, la scène de poursuite, où les protagonistes prennent en chasse un antagoniste, ou au contraire sont eux-mêmes pourchassés. Or, très souvent, les meneurs de jeu (et les réalisateurs de films !) échouent à créer une scène de poursuite palpitante. Le présent billet a donc pour objet de donner les clés de compréhension des caractéristiques ce qui, dans une narration, rend palpitante une scène de poursuite.

Lire la suite...

mercredi 2 septembre 2015

Strategic Gamemastering, part 3: Flags, THACO, and plot hook writing practices

Readers have brought my attention to several articles on flag framing. Basically, "flags"are all data objects on the character sheet.

If you haven't done so yet, I urge you to go read these insightful articles by experienced gamemasters.

Flags and cues

Flag usage, especially as described in the last article in the above paragraph, does cover a lot of the ground also covered by the first article on strategic gamemastering. Flags, however, are not limited to the character sheet : everything on and outside the character sheet is a valid data flag and can be exploited.

Furthermore, the second installment of the strategic gamemastering articles goes further, by:

  • providing a categorization of the cues/flags, which has consequences regarding the manner in which said cues can and will be exploited by the gamemaster
  • presenting the THACO tool as a rational, and systematic management of cues/flags, not only for designing plot hooks and/or an adventure based on player-character data, but also for managing the evolution of said cues/flags over the course of the game and campaign.

The THACO in comparison to other tools

The THACO tool is not a conflict web and has never been designed as such.

The THACO is a systematization tool designed to represent in a visual, efficient, and reproductible manner all GM mental processes related with the Shared Imagined Space at a specific time. The successive THACO diagrams over a campaign can show the evolution of the characters as well as that of the setting

The THACO incurs consequences for the manner in which the GM creates his adventures.

Being a systematization tool for any game data, not limited to the use of the PC character sheet flags, regular use of a THACO tool incurs further consequences in the manner the GM will read adventures & NPC descriptions created by third-parties: everything is a flag, including any and all data in an adventure and/or NPC fluff & stats, and the THACO-using GM will be decomposing said adventures and NPCs into their constituent objects (flags).

Let's try it with a quite straightforward adventure:
A herald announces that the princess has been kidnapped by a dragon, looking for vengeance after the kingdom's armies drove him from the land many years ago. The aging king offers a reward for whomever will rescue the princess and return her to her sire. Unbekownst to the king, his daughter the princess is in league with the rebel barons. They plot to overthrow the king and crown his daughter, using this kidnapping as a pretext to approach the king in order to assassinate him.

Decomposed into a THACO and combined with the preexisting character THACO rows, then color-coded for obvious commonalities, we obtain this:


Note that the adventure objects are not decomposed into the Background and Objectives rows, but into "Setting" and "Events to come" rows.

The simple color-coding of identical objects makes the "Youth" thematic appear, which might bring some promising interactions between the two characters of the young mage and the princess. The dragon, of course, is the focal point of many important thematics.

For the next steps of remote linking & GM-decision linking, we've dispensed with the links that had been established between the player-characters, and focused on the links between the PC and the adventure. The result would look like this:


Only a few links are required to immediately perceive which angles might be the most effective to embroil the PCs into the plot. The assassination thematic in PC#3's background row would normally fit the plot by the rebel barons, and could be linked to the adventure "Political instability" theme, but depending on how the PC approach plot, such a link presents a risk of putting the assassin PC directly at odds with the rest of the group: this is an example of "Opposition linking" which I described in the second installment of the Strategic gamemastering article.

Consequences on plot hook writing practices

Let's (tamely) fantasize for a moment. What if adventures and NPCs were already decomposed before the strategic GM begins to work on his THACO?

Nothing prevents the writer of an adventure or an NPC from taking a few minutes to decompose said adventure or NPC into its elementary components.
These components would not be character cues or flags, but adventure and/or NPC cues.
If the author were to organize these elements in a simple THACO, possibly with a color-code for common objects, the GM could then directly add the adventure and NPC rows to his THACO.
The point is that this simple and admittedly obvious work, since no one knows the objects composing an adventure, a campaign and/or NPCs better than their inventor, enable the author himself to dispense with the tedium of having to create and list the plot hooks to his setting, scenario or NPC.
These plot hooks would become readily apparent as soon as the GM :

  • integrates the relevant object rows to the THACO of his own gaming group;
  • performs the three steps (color-coding, remote linking & decisionary linking) of THACO integration.


The only question that remains is whether adventure & NPC writers will pick up the practice of creating a synthetic table of the THACO objects in their own works, in order to speed up the process through which a GM gets hold of said adventure or NPC, and makes the PC interact with the associated plot.
I strongly hope that they do, because decreasing author effort while simplifying the life of GMs seems to be in everyone's interests.

lundi 31 août 2015

Strategic Gamemastering, part 2: Data organization and exploitation through the THACO

This is the second installment of our series of articles on optimizing gamemaster effort through systematic gamemastering strategies. In the first article of this series, we have seen together how a clever gamemaster could infer player expectations for a given game by thoroughly mining all available data sources.

This post is focused on the practical organization and exploitation of all data gathered following a practical methodology, which, in homage to Gary Gygax, our godfather of tabletop RPG gaming, I have named the "THACO".

Lire la suite...

mardi 25 août 2015

[Geekopolis 2015] Vidéo de l'Atelier / Masterclass "Tuez vos PJ !"

Les festivaliers de Geekopolis 2015 ont mis en ligne la vidéo de l'atelier / masterclass "Tuez vos PJ", auquel Dreyf (d'Opale), Krom (de Projet-R) & moi-même (GROG) avons participé en mai dernier.

La vidéo se trouve ici.

Les slides que j'avais préparés (hélas sans pouvoir les présenter) pour cet atelier sont disponibles .

samedi 30 mai 2015

[Geekopolis 2015] Slides de l'Atelier / Masterclass "Tuez vos PJ !"

Le 23 mai 2015 s'est déroulé l'Atelier / Masterclass "Tuez vos PJ" présenté conjointement par les associations Opale, Projets R et le GRoG (j'intervenais pour cette dernière association). Cet atelier s'est déroulé de manière uniquement orale, sans support de présentation particulier - mais j'avais de mon côté commencé de préparer un tel support.
Suite à l'atelier, j'ai mis à jour ce support des points que j'ai présentés en tant que GRoGuiste, enrichissant les diapositives que vous trouverez ici même en annexe.
Ce support est évidemment incomplet en ce qu'ils ne reprend que la partie sur laquelle je suis intervenu, sans les propos tenus et explications claires et détaillées fournies à cette occasion par Dreyf & Krom des associations respectives Opale & Projets R, que je salue cordialement.

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